StarTools' Deconvolution module allows for recovering detail in seeing-limited and diffraction-limited datasets. StarTools' deconvolution is unique amongst astrophotography software in several ways;
It is important to understand two things about deconvolution;
Understanding the former two important points will make clear why the various parameters exist in this module.
First order of business for using the Decon module, is to generate an inverted defect and singularity mask. This mask should contain all pixels we wish to deconvolve (green in the mask editor), and exclude all pixels that are not suitable (not green in the mask editor). Pixels that are not suitable are areas that contain aberrant data, no data, or data that is non-linear. Examples are hot pixels, dead pixels, defective sensors columns, over-exposing star cores or (more rare) highlights that have been non-linearly compressed by the sensor to fit into the dynamic range to prevent over-exposure. For your convenience, an AutoMask feature is available by means of the 'AutoMask' button (also launched upon opening the Decon module).
The AutoMask feature is able to generate a suitable mask in most cases by selecting 'Auto-generate mask'. As of StarTools 1.6, a more conservative 'Auto-generate conservative mask' option is also available which refrains from masking out detail in the highlights as much. The latter may be useful if your dataset is quite clean and your acquisition instrument has a good linear response throughout the dynamic range including into the highlights. Alternatively, you may also launch the Mask editor to create (or touch up) a mask yourself.
Deconvolution is extremely sensitive to aberrant data, as it relies on all data to be "real" and (originally) linear, in order to undo the specified blur in that area of the image. Letting Decon deconvolve any aberrant data greatly impacts the immediate vicinity being deconvolved and virtually always leads to significant artefacts being generated.
The Deconvolution algorithm's task, is to reverse the blur caused by the atmosphere and optics. Stars, for example, are so far away that they should really render as single-pixel point lights. However in most images, stellar profiles of non-overexposing stars show the point light "smeared" out, yielding a core surrounded by light tapering off. Further diffraction may be caused by spider vanes and/or other obstructions in the Optical Tube Array, for example yielding diffraction spikes.
The point light's energy is scattered around its actual location, yielding the blur. The way a point light is blurred like this, is also called a Point Spread Function (PSF). Deconvolution is all about modelling this PSF, then finding and applying its reverse to the best of our abilities.
Atmospheric or lens-related blur is more easily modelled, as its behaviour and effects on long exposure photography has been well studied over the decades. 5 subtly different models are available for selection via the 'Primary Point Spread Function' parameter;
The size (aka 'kernel size') of the chosen 'Primary Point Spread Function' is controlled by the 'Primary Radius' parameter. A good rule of thumb is to increase this value until ringing artefacts become noticeable, and then back off a little. As of StarTools 1.6, an 'Enhanced Deringing' parameter is available than can further ameliorate ringing artefacts.
Converging on an optimal solution is an iterative process in the Deconvolution module. In general, more iterations, controlled by the 'Iterations' parameter, will yield a better result but will take longer to compute. More iterations tend to yield diminishing returns. Different datasets may benefit from more or fewer iterations. You may wish to experiment on a smaller preview section to evaluate improvements before computing deconvolution of the entire image.
A 'Secondary Point Spread Function' may be specified by clicking on a star. The Deconvolution module will then use the star as a guide to construct a suitable total PSF. Good star samples are stars that do not overexpose, but are not too dim, are closer to the center of the image and have a flat background. When a 'Secondary Point Spread Function' is provided, the total/final PSF used is a combination of that PSF modulated by the 'Primary Point Spread Function'. This allows you to create a final PSF that is tightly controlled by the ideal atmospheric profile (and its radius) as specified by the 'Primary Point Spread Function', while exhibiting a custom measure of deformity as seen in the selected star's PSF.
For example, to make Decon use the 'Secondary Point Spread Function' only, set the 'Primary Point Spread Function' to 'Circle of Confusion (No Atmosphere)' and specify a very large 'Primary PSF Radius'. As expected, smaller radii will start cutting off the 'Secondary Point Spread Function' in a circular fashion. For a gentler tapering off of the 'Secondary Point Spread Function', you can use, for example,a 'Gaussian (Fast)' profile for the 'Primary Point Spread Function'.
Optionally, any star chosen as a 'Secondary Point Spread Function' can be made to iteratively deconvolve along with the image (by choosing one of the 'Dynamic' Star Sample settings). This effectively means that the deconvolution process deconvolves with an ever-changing total PSF. This mode can yield very good, even superior results, depending on the fidelity of the initial star sample, though at the cost of longer processing times. If this mode is selected and you are using a preview, make sure that the chosen star is included in the preview and falls well into the preview area.
The 'Regularization' parameter controls the balance between newly recovered detail and noise grain propagation. Deconvolution is exceptionally sensitive to noise; without something discerning between newly recovered detail and artefact, the compounding effect of multiple iterations of deconvolving noise will quickly end up in a noisy, artefacting mess.
The 'Regularization' in StarTools is automatically set to a baseline that should yield a good balance between detail recovery and artefact/noise suppression. However, there are instances where you may wish to deviate somewhat from the baseline to show more detail. The way this detail is introduced at the expense of noise, is very similar to how the Noise Grain Equalization Denoise module works; noise grain is allocated/'allowed' in such a way that it is still hard to detect by humans if the image is viewed at 100% zoom or below. Zoom levels above 100% break the illusion, however and noise grain allocation becomes visible.
In general, as opposed to any other software, regularization (and deconvolution as a whole) in StarTools is extremely adept at detecting and mitigating noise and artifact propagation, thanks to signal evolution Tracking. Regularization in StarTools is wholly driven by per-pixel SNR statistics gathered as you processed the image, thereby avoiding artefact development in low SNR areas, while guaranteeing maximum detail in higher SNR areas. In fact, this ability makes applying deconvolution later in your processing a good idea, as Decon will have more "up to date" SNR statistics to work with. The closer your image is to completion, the more settled per-pixel SNR measurements will be. The latter settled SNR-measurements can than be taken into account by the Regularization algorithm to yield the most appropriate results for your image.
Throughout all this, Deconvolution still operates on the linear data, even though the end result is calculated for your stretched and (possibly) heavily processed image. The mechanism responsible for this mathematical tour de force is 'Tracking Propagation'; decisions based on your stretched image are back propagated to the dataset when it was linear, re-calculated, then forward propagated to the heavily processed state your dataset is now in.
You can think of this procedure as undoing all changes you made since you started with linear data until the dataset is linear again, then making a modification to the dataset in its linear state, then redoing all those changes you made again - this time starting from modified linear data. It's a little bit like time travel and changing the past using knowledge about the future.
There are two modes for 'Tracking Propagation'. The first, 'Post-decon (fast)', default mode, only back and forward propagates the final result of the deconvolution operation and uses an approximation for the intermediary iterations. This was the default mode before StarTools 1.6. The second mode, 'During Regularization (Quality)' back and forward propagates the results constantly for every iteration. The second option is slower but more precise than the first, however may allow you to push the dataset a little more, especially in conjunction with 'Regularization' values lower than the default balanced 1.0.
Deconvolution of planetary, solar and lunar images can be achieved as well by switching 'Image Type' to 'Lunar/Planetary'. The difference between 'Deep Space' and 'Lunar/Planetary' mode, is the way reconstructed highlights are treated. In the case of the 'Deep Space' setting, reconstructed highlights are allowed to overexpose (like any over-exposing stars in your image). In other words, dynamic range of the entire image is not adjusted to accommodate the reconstructed detail. However, in the case of a 'Lunar/Planetary' image, reconstructed highlights are allocated additional dynamic range, as to not make them overexpose. Note that this assumes there are no prior over-exposing areas in the source image.
Planetary, solar and lunar images will require a much less aggressive de-ringing strategy, so the 'Enhanced Deringing' parameter can usually be safely set to 0%.
The Bin module puts you in control over the trade-off between resolution, resolved detail and noise.
And all this is just what Tracking does for the deconvolution module.
Worry not; subsequent processing in StarTools will remove the color bias, while restoring and bringing out detail.
'Grain Limit Detail' and 'Grain Limit Color' set the largest visible noise grain size, for detail (luminance) and color respectively, that Denoise 2 should target.
The classic Denoise module caters to the former, while the Denoise 2 module caters to latter.
You can convert everything you see to a format you find convenient. Give it a try!