The Color module comes with a vast number of camera color correction matrices for various DSLR manufacturers (Canon, Nikon, Sony, Olympus, Pentax and more), as well as a vast number of channel blend remappings (aka "tone mapping") for narrowband dataset (e.g. HST/SHO or bi-color duoband/quadband filter data).
Uniquely, thanks to the signal evolution Tracking engine, color calibration is preferably performed towards the end of your processing workflow. This allows you to switch color rendering at the very last moment at the click of a button without having to re-composite and re-process, while also allowing you to use cleaner, non-whitebalanced, non-matrix corrected data for your luminance component, aiding signal fidelity.
Camera Matrix correction is performed towards the end of your processing workflow on your chrominance data only, rather than in the RAW converter during stacking. This helps improve luminance (detail) signal, by not contaminating it with cross-channel camera-space RGB and XYZ-space manipulations.
The matrix or channel blend/mapping is selected using the 'Matrix' parameter. Please note that the available options under this parameter are dependent on the type of dataset you imported. Please use the Compose module to import any narrowband data separately.
Post-processing is where astrophotographers make their hard-won data really count.
The 'Intricacy' parameter controls how much smaller scale detail should prevail over larger scale detail.
The Entropy module is a novel module that enhances detail in your image, using latent detail cues in the color information of your dataset.
The Filter module allows for the modification of features in the image by their colour by simply clicking on them.
A 'Filter Mode' parameter selects the mode of the filter.
You can convert everything you see to a format you find convenient. Give it a try!